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Search resuls for: "Brooklyn Academy of Music"


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The WNBA draft was held on Monday, April 15, at the Brooklyn Academy of Music in New York. The Indiana Fever selected Caitlin Clark first overall. AdvertisementThe WNBA reported that the 2023 season was "its most-watched regular season in 21 years," with combined viewership across networks "up 21 percent over the 2022 regular season." With big names like Angel Reese and Caitlin Clark joining the league, there's no telling what new heights it'll reach this season. AdvertisementGet to know all 12 talented women from the first round of the draft as they prepare to continue changing the world of women's basketball, one block, three-pointer, and rebound at a time.
Persons: Caitlin Clark, , Clark, Jeff Pagliocca, Angel Reese Organizations: Brooklyn Academy of Music, Indiana Fever, Service, NCAA, ESPN, Sky Locations: New York
Somewhere close to the four-hour mark in “Bark of Millions,” the polychromatic cavalcade of splendor that is Taylor Mac and Matt Ray’s new rock opera, I finally realized why the woman in front of me had been reading on her phone throughout the performance. The words on her phone were excerpts from the show’s lyrics, a free digital version of the printed fan deck on sale at concessions. More than 50 songs in, she was grasping at that text in an attempt to follow along. Because the great frustration of “Bark of Millions,” which continues through Saturday at the Brooklyn Academy of Music’s Harvey Theater, is that there are far too many songs in which the music drowns out the lyrics, making the meaning a bafflement. If “Bark of Millions” were aiming to succeed on aural gorgeousness and visual spectacle alone, there would be no cause to quibble.
Persons: Taylor Mac, Matt Ray’s, Brendan Aanes, Mac Organizations: Brooklyn Academy of Music’s Locations: Versailles, Vegas
NEW YORK (AP) — To appeal to a new generation of philanthropists, the Brooklyn Community Foundation is ditching the word “foundation” and establishing itself with a new name: Brooklyn Org. “The point isn’t lost on Rainey, who says that no matter what people call it, Brooklyn Org is still a foundation. But she said the new name reflects different practices the foundation has put in place that let residents steer the course of the institution. All of the foundation’s discretionary grantmaking, Rainey says, uses a participatory approach, where residents research and pick nonprofits to receive grants. The AP and the Chronicle receive support from the Lilly Endowment for coverage of philanthropy and nonprofits and are solely responsible for this content.
Persons: Jocelynne Rainey, grantmakers, ’ ”, , Edelman, Sruthi Sadhujan, Sadhujan, ” Sadhujan, isn’t, Rainey, Alex Daniels Organizations: Brooklyn Community Foundation, Brooklyn Org, Brooklyn Museum, Brooklyn Academy of Music, Independent Sector, Edelman Data, Intelligence, Ford Foundation, Associated Press, The, AP Locations: Brooklyn
The American theater is on the verge of collapse. The Humana Festival of New American Plays, a vital launching pad for such great playwrights as Lynn Nottage and Will Eno over the past four decades, was canceled this year. This season the Williamstown Theater Festival, one of our most important summer festivals, will consist of only one fully produced work, alongside an anemic offering of staged readings. The Lookingglass, a major anchor of Chicago’s theater scene, is halting production for the year. Nonprofit theaters are where many recent hits — including “A Strange Loop” and “Hamilton,” both of which won Pulitzer Prizes — started out.
Persons: Lynn Nottage, Will Eno, Edward Albee, August Wilson, Tony Kushner, Annie Baker, Simon, Garfunkel’s, , “ Hamilton, , Organizations: Public, New, Williamstown Theater, Oregon Shakespeare, Brooklyn Academy of Music, Nonprofit Locations: Oregon, New York
She felt the theme would resonate in 2020, when the play was originally set to be staged before the pandemic forced a postponement — even more so now, amid a wave of anti-immigrant sentiment nationwide. “That’s possibly why it hasn’t been so successful in the past,” Schmidt, 48, said at a rehearsal on a sweltering Wednesday last month at the Brooklyn Academy of Music. Why did you want to do this play? ERICA SCHMIDT The play is shot through with desire; this need to really live life and to cling to what matters to you with both your hands until your fingers break, as Carol [an eccentric aristocrat character] says. It felt like an undeniable piece of work that one would need to throw oneself into.
Persons: Schmidt, , , ” Schmidt, Williams, Schmidt —, , ERICA SCHMIDT, Carol, Thornton Wilder, MAGGIE SIFF Organizations: Brooklyn Academy of Music Locations: London, United States, “ Our
Brooke Renteria moved to a studio in Fort Greene, Brooklyn, from California two years ago. The unit of less than 400 square feet in Caesura, an apartment building cater-corner from the Brooklyn Academy of Music, came with a Murphy bed, a built-in table/desk and a 49-inch smart TV. Ms. Renteria, who is 24 and works in tech, also had access to the building’s Common Goods room, a basement closet stocked with household items that residents could check out for free. Among the dozens of objects: a sewing machine, a Ninja professional blender and a white porcelain dinner service for 12. When the 12-story building with 123 units opened in 2018, its 34 furnished micro studios started at $2,588 a month for 314 square feet.
Persons: Brooke Renteria, unpack, Murphy, Renteria, Organizations: Brooklyn Academy of Music Locations: Fort Greene , Brooklyn, California, Caesura, Caesura’s
Not everyone can wake up to good news on Tony nominations morning. Then again, with a panel of voters often un-wowed by celebrity, the roster typically turns up left-field choices and anoints young talent. But the Tony committee gave the show’s team something to laugh about, lavishing six nominations, including two for Cooper himself: best play and best featured actor in a play. Cooper, who portrayed a saucy airline hostess named Peaches, gave it his all, onstage and off: When the show’s sudden closing was first announced, he took to Instagram to rally audiences. Yet Tony voters passed on nominating Oscar Isaac and Rachel Brosnahan for their sexy, impassioned portrayals of a fraying couple in 1960s Greenwich Village.
Les Arts Florissants Returns to New York, Endangered
  + stars: | 2023-04-27 | by ( Zachary Woolfe | ) www.nytimes.com   time to read: +1 min
The pair of concerts that William Christie and his ensemble, Les Arts Florissants, offered at Carnegie Hall this week made me a little sad. What depressed me was the question of whether there’s a future in New York for this pathbreaking early-music group, founded in France four decades ago by Christie, an American. Its longtime bases when on tour in the city, Lincoln Center and the Brooklyn Academy of Music, have jolted away from the kind of music programming that was until recently a core part of their identities — and the kind that Les Arts Florissants embodies. Sure, Christie and Les Arts Florissants don’t do contemporary pieces. Their repertoire, with its founding specialty in the French Baroque of Lully, Rameau and Charpentier, doesn’t check fashionable boxes of diversity, equity and inclusion.
Zadie Smith Never Meant to Write a Play
  + stars: | 2023-03-25 | by ( Emily Bobrow | ) www.wsj.com   time to read: +1 min
Zadie Smith did not intend to write a play. Brent won, and Ms. Smith had to write something for the celebration. “I feel guilty that all of this is my fault,” Ms. Smith says over the phone from her hotel in Boston, just before her play’s recent run at Harvard’s American Repertory Theater. She explains that it has been both “extraordinary” and discomfiting to watch her words performed to packed houses. “I’m in awe of people who work in this form because real-time rejection is not something I’m used to.”
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